Element

La Ronde

La Ronde is a character-based improv structure where a series of two-person scenes are linked by each player appearing in two consecutive scenes, playing one character throughout.

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Improv Forms

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Wie spielt man La Ronde?

La Ronde is a character-based improv structure, used as both an exercise and a longform.

Structure

The form works like a circle of two person scenes typically. Let's say you are going to have five players to a La Ronde, Mike, Tara, Julie, Steve and Jed. And let's also say that Tara and Jed start the first scene. The scenes would look like this:

  • Tara & Jed
  • Jed & Steve
  • Steve & Julie
  • Julie & Mike
  • Mike & Tara

Each scene gets edited by one player replacing another. The person who remains on stage remains the character they were in the previous scene and the new player chooses a new character to play and a new location and situation for the scene. In a simple La Ronde like this, each player plays one character and only one character.

La Ronde

La Ronde takes its name from an 1897 play of the same name by the German playwright Arthur Schnitzler. All ten scenes of his play only feature two actors, each individual actor appearing in two scenes in a row. From Wikipedia, these scenes consist of the following character pairs:

Scenes

  1. The Whore and the Soldier
  2. The Soldier and the Parlor Maid
  3. The Parlor Maid and the Young Gentleman
  4. The Young Gentleman and the Young Wife
  5. The Young Wife and The Husband
  6. The Husband and the Little Miss
  7. The Little Miss and the Poet
  8. The Poet and the Actress
  9. The Actress and the Count
  10. The Count and the Whore

History

First used by Craig Cackowski after he watched the film version of this play. He brought the structure into Frank Booth rehearsals in the mid 1990s and they used it as a rehearsal exercises for over a year. Later it provided the backbone for Calendar Girls and a show by Cinco de Bob. Craig talks about it in episode 14 of the IRC Podcast. http://podcast.improvresourcecenter.com/?p=episode&name=2010-11-16_irc_podcast_craig_cackowski.mp3 also found at https://ircpodcast.com/irc-podcast-2010-11-16-craig-cackowski

Also used by Miles Stroth during a class in which he was teaching story structure. The class eventually used the exercise as a performance form and named it La Ronde. In the original exercise, players would form a back line and two-person scenes would happen, each player being only one character during the entire exercise. Then every other person was tagged out and new characters were created until everyone from the back line did two scenes. Then everyone would go to the sides of the stage and would continue with no order, while still only playing the one character each. They would all be different characters in one similar location (i.e. a Town) and would work their way to an event that was happening in that location (e.g. a Pie Eating Contest).

Basiert auf "La Ronde" von improvresourcecenter, lizensiert unter GNU Free Documentation License 1.3.
account_treeVarianten (5)
  • Major life event exploration — Explore a specific major life event (death, affair, job loss, first child) between the two waves.
  • Miles Stroth's La Ronde — Players form a back line and two-person scenes occur. Each player plays only one character. After every other player has been tagged out, new characters are created until everyone has done two scenes. Then players go to the sides and continue without order, all playing different characters in a similar location working towards an event.
  • Non-human interactions — Use non-human characters such as vibrators, talking animals, aliens, or robots.
  • Repeat exact same scene — In the second wave, repeat the exact same scene dialogue and actions as the first wave, as if nothing has changed.
  • STI (Sexually Transmitted Improvisation) — Emphasize the sexual aspect of the relationships as the central gimmick.

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